Maybe I break the character, but I don’t break the mood in between takes. And it let Jim get better shots because I was driving. I got a bus driving licence for Paterson because his physicality is very much who that character is. “Sometimes I will prepare but for information. Everyone’s racing the clock, and I like being available to those people between scenes.Īgainst Driver's successes, his illustrious screen gigs and various glamorous product ambassadorships, he remains an intensely private person. They are softer in their movements even though they’re lugging around all this mechanical s**t and have to do things at a pace. Also, for the crew, as an example, if there’s like a scene, where there’s nudity, or there’s an argument or something really vulnerable, they respond internally. There’s no right way to get into a scene. “You know, it kind of depends on the thing and the character? Obviously, we all have different ways of working. “Yeah, I wasn’t staying in character,” he says. How was the experience of sharing scenes with someone who stayed in character for 18 months?
It’s as close to method acting as he’s ever come.
Family guy star wars trilogy download driver#
“And I spoke with an accent for nine months of that.” Speaking to this newspaper in 2016, Driver recounted the “terrible” poems he wrote during Jim Jarmusch’s Paterson, a film about a bus driver with a creative bent.
“I lived as her for a year and a half,” she told Vogue magazine earlier this month. So it was I who was eager to do it again immediately.”Īdam Driver and Lady Gaga in House of Gucciįor Lady Gaga’s first film role since A Star is Born, the performer went all-out Stanislavski.
He sent me the script while we were working on The Last Duel. It wasn’t something that came up in my life. “I was too young when it happened to be aware of it. “I knew nothing about it until Ridley sent me the script,” says the actor. More specifically the film chronicles the marriage of Gucci scion Maurizio (Driver) and Patrizia Martinelli (Lady Gaga), a relationship that ended with the hiring of a hitman and a sensational trial. House of Gucci is an odd pick for the dazzlingly-talented Driver, not least because of the film’s eccentric convention of using hand gestures and accented English recall a certain 1980 hit by Joe Dolce.Īn expensive, soapy, true-life murder drama, Scott’s second feature of 2021 concerns the backroom manoeuvrings at the fashion imprint of the title. “I don’t know why I walked into these waters. “I can neither confirm nor deny this,” he says, with a deadpan expression that is, frankly, wasted for not being projected on to a large screen. For me, with this character and Gucci, staying in character wasn’t something that lent itself to what I had to do he’s never experienced a marathon drinking session during any of his various Irish-set projects? during the entire Star Wars trilogy, for example. “The marathon drinking sessions that I don’t do.” “Making a film during Covid,” he says of The Last Duel, “you miss the camaraderie and the marathon drinking sessions”. Today, on the eve of the London premiere of the same director’s House of Gucci, Damon’s Last Duel co-star Adam Driver finds himself (somewhat) similarly stuck, albeit mid-conversation, while recounting his various Irish-based shoots. Matt Damon, an actor known for reinventing the action hero in the Bourne cycle, an Academy Award-winning screenplay for Good Will Hunting and his trusty SuperValu bag, famously found himself locked down in Dalkey during the production of Ridley Scott’s The Last Duel. The actor talks about his original plan for his career, making a film during Covid and taking a breaking after starring in 17 roles since 2016
0 kommentar(er)
